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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Geoffrey Gurrumul Yunupingu

Dr G Yunupingu

Magazine article, 2017

Dr G Yunupingu (1970-2017), a man of the Gumatj clan of north-east Arnhem Land, learned to play guitar, keyboard, drums and didgeridoo as a child.

Steven Bishop, performer by Nathalie Latham

Here and there

Magazine article by Geoffrey Batchen, 2007

Nathalie Latham's exhibition Australia's Creative Diaspora explores Australians, in the arts, who live and work internationally.

Geoffrey Gurrumul Yunupingu

Yolngu boy

Magazine article by Ashleigh Wadman, 2011

Guy Maestri’s portrait of the musician was conceived after the artist saw Gurrumul perform in Sydney on New Year’s Eve 2008.

Portrait 41

October - November 2011
Magazine

This issue features Kate Beynon, Philosopher Cynthia Freeland, Geoffrey Gurrumul Yunupingu, John Tsiavis & Chris Lilley, UK's BP Portrait Award, Purchasing power in colonial Sydney and more.

Portrait of Ninette Dutton

In a glance

Magazine article by Dr Sarah Engledow, 2004

Dr Sarah Engledow explores the portrait of Ninette Dutton by Bette Mifsud.

Christos Tsiolkas

Intense identity

Magazine article by Dr Christopher Chapman, 2009

Dr Chistopher Chapman discusses the portrait of Australian author Christos Tsiolkas taken by John Tsiavis.

Geoffrey Graham

The mind's eye

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.

Sidney Nolan, Western Australia

Cultural kaleidoscope

Magazine article by Dr Sarah Engledow, 2006

The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.

Emmanuel at bedtime, 2011 by George Mifsud

To startle the eye

Magazine article by Joanna Gilmour, 2012

National Photographic Portrait Prize judge Joanna Gilmour previews the 2012 exhibition.

George Tjungurrayi

Two painters

Magazine article by Dr Christopher Chapman, 2007

Chris Chapman explains how Matthys Gerber bridges the gap between abstraction and portraiture.

Have you forgotten yet? 2014 by Lee Grant

All that fall

Magazine article by Raimond Gaita, 2015

Raimond Gaita comments on war and truth in the context of the First World War.

The hunting lodge, 2007

Seduce Amuse Entertain

Magazine article by Michael Desmond, 2007

Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.

Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Nicole Kidman

Australians in Hollywood

Magazine article by Simon Elliott, 2003

The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.

Carnation, Lily, Lily, Rose, 1885-86 by 
John Singer Sargent

A feast of friends

Magazine article by Richard Ormond, 2015

John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.

Mark McManus as Will by Mark Strizic

In and out of focus

Magazine article by Gael Newton, 2017

Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.

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Canberra, ACT 2600, Australia

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency